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Oor die hele Europa was siervase en borde satisfied versierings van slingerende plantmotiewe, tiperend vir die art nouveau, baie gewild. ln 1919 het 'n groep kunstenaars egter in Weimar na vore gekom vir wie die funksie van die artikel by die vormgewing die belangrikste was. Oorbodigheid, dit wil sê versierings wat geen funksionele bydrae tot die